Identity, Breast Implants, and Wanting More from Life: Lijia Zhang on her Debut Novel Lotus (interview: part I)

Inspired by her grandmother’s deathbed confession of being sold to a brothel, Lijia Zhang injects her cutting social criticism into her first novel, Lotus. The book delves deep into the sex industry in contemporary Shenzhen, following a young migrant woman, Lotus, who is eager to escape her life as a prostitute. A strong believer in [...]

Highs and lows: San Francisco Ballet’s ‘Caprice’ programme

On the second night of San Francisco Ballet’s second visit to Beijing, the American ballet company treated their Chinese audience to a varied programme in four parts. Tomasson’s own Caprice opened the event, followed by Christopher Wheeldon’s Rush and Hans van Manen’s Variations for Two Couples, finally closing the evening with George Balanchine’s Theme and Variations. [...]

Sylvie Guillem’s final show

Life in Progress A lone dancer skuttles onto stage dragging an arm, resting momentarily where a bare tree stands centre stage. Guillem moves like a whirring gizmo, compact and full of electricity, as though she could burst any moment. Her livewire limbs rarely come to rest for long. One quiet moment finds her face down, spread-eagle [...]

In Good Company

Hofesh Shechter Company's In Good Company It’s not often that dancers are given free reign to create new works of their own, and even rarer that they get all the support necessary to make fully-realised, successful pieces. That’s why In Good Company, the project enabling dancers of the Hofesh Shechter Company to present their own [...]