Beijing Dance / LTDX premiered Earth / Quake, a contemporary dance work by well-known traditional Chinese choreographer Yang Wei at the People’s Liberation Army Theater last week to a noticeably mixed and highly enthusiastic crowd of foreigners and locals alike. This is the first time Yang has done a modern dance piece, announced good-humoured Artistic Director Willy Tsao before the show, ‘so even if you do not like it, you can appreciate the effort that she put into this trial’. The Beijing Dance / LDTX dancers could not have disappointed their audience had they tried.
Watching a piece by an Army choreographer is a pretty special experience. For Yang’s very first venture into the world of contemporary dance, she created a piece that explores the depths of imagination and fantasy. Countless metal chairs and a white bathtub hung from the ceiling above the dancers – the literal suspension of day-to-day reality. Jemmy Zhang’s costumes pushed the bounds of contemporary dance costuming with oversized formal wear hanging off the dancers in swathes at odd angles – Tang Ting Ting wore a jacket as a skirt. She climbed into it, one leg and one arm in the two sleeves, and played with the range (or restriction) of movement this allowed.
The piece ultimately centred around a romance between the dreamer (Adiya) and a veiled beauty (Gong Xing Xing), who seemed to be protected by a horde of strangely clad beastly creatures.
Gong trailed lengths of white gauzy fabric everywhere she went, looking like the dreamer’s ultimate damsel in distress. Adiya darted about, hopelessly in love and helplessly unable to make any progress with her.
This post is a combination of 100 words from a longer review and additional thoughts thereafter. The official review was published by Bachtrack on 6th November 2015. Please click here to read the full review.