Women belong in all places where decisions are being made… It shouldn’t be that women are the exception.
Ruth Bader Ginsburg (b. 1933) is an Associate Justice of the Supreme Court of the United States.
Ginsburg was appointed by President Clinton, took the oath of office on 10th August 1993, and is still serving today.
Ginsburg was the second woman ever to be made a Supreme Court justice in the US, after Sandra Day O’Connor, who served from 1981 until her retirement in 2006. Only four female justices have been appointed to the US Supreme Court. The third and fourth are Sonia Sotomayor and Elena Kagan, who are also still serving.
Words and Women is a regular feature that spotlights short quotations from influential women activists, artists, and authors.
“You know it’s illegal to possess two passports as a Chinese citizen?” I saw her take out a large pair of scissors and decisively cut the corner off my Chinese passport. She then threw it back out at me. It landed before me on the counter, disfigured and invalid.
Xiaolu Guo is a Chinese filmmaker and author based in London. We met at Beijing’s Literary Festival in 2015, where we discussed writing techniques (she always writes by hand before word-processing, which is part of her editing process) and she borrowed my black biro to autograph copies of her books. She signed a copy of her debut book in English, A Concise Chinese-English Dictionary for Lovers, which was shortlisted for the 2007 Orange Prize, for me. I wanted to buy a copy of her latest novel, I Am China (published by Random House in 2014), but the bookstore’s order of had not made it through Chinese customs due to the controversial content of the book. Guo advised me to read it as an e-book, saying she didn’t think I’d be able to acquire a hardcopy in Beijing soon.
Below is an extract from Xiaolu Guo’s latest book, Once Upon a Time in the East: A Story of Growing Up, which was published by Chatto & Windus on 26 January, 2017. This extract was originally published by the Guardian.
Some years later, after I had published a number of books in Britain, I managed to finish a novel that I had been labouring on for years. Publication was due in a few months’ time, but I began to worry that it would bring me trouble when I next tried to go back to China, since the story concerned the Tiananmen Square massacre of 1989 and the nature of totalitarianism. What if I was denied entry because of this book? I decided to make preparations before it came out. So, since I had been living in the UK for nearly 10 years, I applied for a British passport.
I spent some months gathering the necessary documents for my naturalisation. After a drawn-out struggle with immigration forms and lawyers, I managed to obtain my passport. Now, I thought to myself, if there was any trouble with my books and films, I would feel a certain security in being a national of a western country. Now I could go back to visit my sick father and see my family.
A week later, I applied for a Chinese visa with my British passport. After waiting at the visa application office in London for about half an hour, I found myself looking at the visa officer through a glass barrier. The woman wore horn-rimmed glasses and had her hair cut short, military-style. She looked like a resurrected Madame Mao. She took my British passport and scanned me up and down. Her face was stern, the muscles around her mouth stiff, just like all the other Communist officials, seemingly trained to keep their faces this way.
“Do you have a Chinese passport?” She stared at me with a cold, calm intensity, clutching my British passport.
I took out my Chinese passport and handed it to her through the narrow window.
She flipped through its pages. The way she handled it gave me a sudden stomach ache. I sensed something bad was coming.
“You know it’s illegal to possess two passports as a Chinese citizen?” she remarked in her even-toned, slightly jarring voice.
“Illegal?” I repeated. My surprise was totally genuine. It had never occurred to me that having two passports was against Chinese law.
The woman glanced at me from the corner of her eye. I couldn’t help but feel the judgment she had formed of me: a criminal! No, worse than that, I was a Chinese criminal who had muddied her own Chinese citizenship with that of a small, foreign state. And to top it all, I was ignorant of the laws of my own country.
She then flipped through my visa application, which was attached to my British passport, and announced: “Since this is the first time you are using your western passport, we will only issue you a two-week visa for China.”
“What?” I was speechless. I had applied for a six-month family visit visa. Before I could even argue, I saw her take out a large pair of scissors and decisively cut the corner off my Chinese passport. She then threw it back out at me. It landed before me on the counter, disfigured and invalid.
I stared, without comprehension, at this once-trusted document. The enormity of what had just happened slowly began to register. Although I was totally ignorant of most Chinese laws, I knew this for certain: when an embassy official cuts your passport, you are no longer a Chinese citizen. I stared back at Madame Mao with growing anger.
“How could you do that?” I stammered, like an idiot who knew nothing of how the world worked.
“This is the law. You have chosen the British passport. You can’t keep the Chinese one.” Case closed. She folded my visa application into my British passport and handed them to another officer, who took it, and all the other waiting passports, to a back room for further processing. She returned her tense face toward me, but she was no longer looking at me. I was already invisible.
Inspired by her grandmother’s deathbed confession of being sold to a brothel, Lijia Zhang injects her cutting social criticism into her first novel, Lotus. The book delves deep into the sex industry in contemporary Shenzhen, following a young migrant woman, Lotus, who is eager to escape her life as a prostitute.
They refuse to use femidoms because they are too big to swallow. In a raid, sex workers will swallow any condoms they have on their person, because condoms (used or unused) will be used as hard evidence by the police.
I spoke with Lijia Zhang in December 2016, just weeks before the publication of her long-awaited first novel, Lotus. In part one of this interview, we discussed her personal reasons for telling this unparalleled story, how she learned to relate to Chinese sex workers, and how her own struggle for self-improvement informed her character, Lotus.
In in part two of this interview, we talked about how women are faring in China’s sexual revolution, Chinese attitudes toward contraception and reproductive health, and the lengths some women go to in the fight against the patriarchy.
Here, in part three, we discuss China’s turn towards hedonism since Mao’s era of sexual purity, how sex workers approach reproductive health, and how migration and class-based oppression create problems for already disadvantaged women.
Lotus provides a close look at the southern city of Shenzhen. What does your novel convey about greater Chinese society?
Every society has prostitution. There is a saying in China: 饱暖思淫欲 温饱而思淫欲 [bǎo nuǎn sī yínyù wēnbǎo ér sī yínyù]. It means once you have food and clothing you start thinking about sex.
Society has become hedonistic after Mao’s regime of sexual purity and sexual repression. China has become materialistic, restless. Other reasons for the growing sex industry include growing wealth, relaxed social control and the resulting growth in individual personal freedom. Plus of course, China’s population is increasingly mobile. Young migrant workers often can’t bring their wives with them or establish a relationship.
Prostitutes are real people, and I wanted to expose that. They are not always sexually appealing, but they know all the tricks of how to flirt and attract men. The oldest sex worker I met was a woman in her middle 60s. Another middle-aged sex worker had a grown-up daughter who was married. Some women really get stuck in the trade and cannot get out. Like any job, there are drawbacks. But their lives are not totally bleak either.
The Hukou system is effectively China’s apartheid system. The Hukou prevents migrant workers getting really good jobs. It is because of the Hukou that migrant workers and urban residents live such separate lives.
When she becomes a prostitute, Lotus has no idea about sexual health. Her clients pay more for sex without a condom, and one man even washes out an expensive “Golden Gun – Never Flops” condom for later use.What are the pervasive attitudes and challenges to sex education?
The legislation states sexual education should be taught in schools, but it is not compulsory and it is not enforced. It is not on the government’s list of priorities. There aren’t calls from the public for sexual education but there are non-governmental organisations providing information on a wide range of things, from HIV/Aids clinics to promoting openness about sexuality.
Many prostitutes are not educated about sexual health. Their bosses often tell them that it is ok not to use a condom, because they get more money that way. They will say, “it looks clean” and agree to sex without a condom. Many men will refuse to wear a condom.
One NGO promoting sexual health suggested prostitutes start using femidoms, because then the women themselves could have control of the contraception and they don’t have to rely on the clients wearing a condom. But the prostitutes said they cannot use femidoms, because they are too big – in a raid, they will often swallow the condoms they have on their person, because condoms (used or unused) will be used as hard evidence by the police. But femidoms were too big to swallow so they would not carry them or use them.
The detail about Family Treasure washing out the condom for later use is true. I heard lots of stories like that. That brand, ‘Golden Gun – Never Flops’, is a real brand of condoms, you know!
Migrants tend to live on the outskirts of cities where they can find cheap temporary housing, occupying a liminal space between urban and rural, where they find it hard to integrate. Lotus’s status as a migrant seems to compound her existing problems. How do migration issues compound women’s problems in China?
The Hukou system prevents migrant workers getting really good jobs. The Hukou is effectively China’s apartheid system. It is partly because of the Hukou that migrant workers and urban residents live such separate lives. In the novel, Lotus tries to become a salesperson, she even buys the clothing for it. But she cannot because she doesn’t have the correct residence papers.
How does the legal position of sex workers reflect patterns of class-based oppression in China?
Most women come to prostitution through personal choice. There is very little trafficking, there are very few women who are sold into prostitution, there are not many pimps. However, there are some cases where the pimp is the woman’s husband or brother.
Prostitution is illegal. The government does not really know how to tackle the problem so the police do big raids and crackdowns. The police arrest as many women as they can. The police will use any evidence they can to prove the women are prostitutes. Condoms – used or unused – are considered hard evidence.
Crackdowns are a big problem. The police will beat up the women and force them to confess. If the woman goes unconscious, they will force her to drink water mixed with wasabi so they wake up. A woman I know was sprayed with a high-pressure hose with cold water, and then they put the air conditioning on. When she vomited, they made her eat her own vomit.
If they can prove that a woman is a prostitute, they will repatriate her, take her back home. Repatriation means that the woman will be sent back to her hometown in shame, and her family will have to pay the fine. That means everyone will find out the truth. They will do anything to avoid this. I know a woman who slept with the policeman but still had to pay the fine before they would let her go. They would rather borrow money to pay the fines, lose all their savings and go bankrupt, than be sent home in shame.
There was a woman who worked at a high-class place in Beijing, who was killed – they don’t know exactly how but it could have been one of her regular clients or her boyfriend. When they searched her apartment, they found 200,000 yuan in cash hidden all over her home.
I was born in China. It is in China I must be reborn as a woman.
Jin Xing was the first transgender person to undergo sex reassignment surgery in China with government approval, and the first whose sex change was officially recognized by the Chinese government.
As a boy, Jin had an affinity for dancing and soon became a ballet dancer. At nine, Jin began performing in a prestigious troupe that was part of the People’s Liberation Army – ballet has long been considered a valuable propaganda tool – and serving as a soldier. By the age of 17 Jin was the number one male dancer in China, and had risen through the ranks to become a sergeant.
At the age of 19, she started set off to start from scratch as a dancer in New York. Jin, a major celebrity in China, was nobody in New York in the nineties. But that didn’t stop her. She studied modern dance with Martha Graham, Merce Cunningham and Jose Limon. News of her successes in New York reached Beijing, and she was promoted to colonel even though she was not serving. Her career took her to Rome, where she learned Italian, and she toured Europe before deciding that sex reassignment was the right thing for her.
When I was six years old, I thought I should be a woman. I myself knew something was wrong, but I didn’t know what was wrong or what was mistaken.
During her years in New York, Jin began to explore gender and sexuality. She considered the possibility she was homosexual. But at that time, homosexuality was still illegal in China, and considered a mental disorder. Similarly, very few Chinese people had undergone any kind of sex reassignment and none had been recognised by the state. This was a new idea to Jin, but America had opened her eyes to new things:
I discovered words — transsexual, transgender. I said, ‘OK, I belong to that small island.’ Then I started researching.
Jin underwent three surgeries in 1995, aged 28. She emerged from the last surgery, which lasted 16 hours, to tell her father: “Your son has become your daughter.” In reply, he told Jin: “Twenty years ago, I looked at you and wondered, I have a son but he looks like a girl. So 28 years later, you’ve found yourself. Congratulations.”
Since her sex change, Jin has started a dance company in Shanghai, adopted three children, married, and begun presenting her own hugely popular television talk show, The Jin Xing Show, on the basis which she had gained the nickname “Poison Tongue”. She’s often billed as the Chinese Oprah. But she is so much more than that.
With her celebrity status, Jin Xing has brought attention to LGBTQ+ issues and the difficulties faced by the LGBTQ+ community, who struggle against social stigma and legal discrimination. She is loved as a beacon of hope by young people across China.
I don’t want to change the world… I just want to be myself.
In China, the LGBTQ+ community face severe discrimination. Many LGBTQ+ people’s families and communities refuse to accept their sexuality or gender identity, and therefore find themselves in compromising situations like ‘fake’ marriages to fulfil their filial duty. Homosexuality was considered a mental disorder until 2001, and some private Chinese clinics still offer ‘electroshock’ gay conversion therapy.
Thankfully, there are many people speaking and acting out against such discrimination. In Beijing, the LGBTQ+ community are a strong driving force behind the feminist movement. We’re incredibly privileged to know women like Iron, who runs Beijing’s LGBT Centre, and Li Maizi who spoke in London last week. There are feminists across the country speaking out about everything from Trump to censorship, and campaigning non-stop when the two coincide.
Kick-start your understanding of China’s LGBTQ+ community with this informative video from Out China:
So, here’s to our LGBTQ+ friends in China and worldwide. May this be the beginning of a long alliance.
In the face of the proposition that feminism has become too mainstream, that feminist activism has become an empty marketing tool, Adichie responds:
This idea of feminism as a party to which only a select few people get to come: this is why so many women, particularly women of colour, feel alienated from mainstream western academic feminism. Because, don’t we want it to be mainstream? For me, feminism is a movement for which the end goal is to make itself no longer needed. I think academic feminism is interesting in that it can give a language to things, but I’m not terribly interested in debating terms. I want people’s marriages to change for the better. I want women to walk into job interviews and be treated the same way as somebody who has a penis.
Chimamanda Ngozi Adichie is a Nigerian novelist and feminist activist, who lives in the US with her husband and young daughter. Her most recent publication, Dear Ijeawele, Or A Feminist Manifesto In Fifteen Suggestions, is based on a letter she wrote to her friend, who asked Adichie for tips on how to raise her child as a feminist.
The book, which was published on 7th March 2017, focuses on teaching feminism to those we love through one’s own actions and relationships, taking Adichie’s suggestions far beyond the realms of parenthood. Dear Ijeawele is accessible to anyone anywhere, making it a truly intersectional manifesto for feminists the world over.